Dhurandhar Review Ranveer Commands the Screen
Dhurandhar Review Ranveer Commands the Screen
Aditya Dhar’s filmmaking carries a signature rhythm—never overtly shocking, yet consistently striking. His stories throb with patriotic zeal, rely on thunderous war cries, and frame Pakistan as a persistent adversary. Dhurandhar wastes no time defining its ideological spine. The mission is laid out with surgical clarity: penetrate Pakistan’s nerve centre—the ecosystem powering global terror—and remain perpetually ahead of the enemy.
Structured into eight chapters, the first half unfolds like a taut dossier. Dhar revisits some of India’s darkest tragedies—the IC-814 hijacking, the Parliament attack, and the carnage of 26/11—stringing them together to argue that India needed a radical shift in strategy. Thus emerges Operation Dhurandhar, a covert blueprint built on precision, cold-blooded efficiency, and a simmering fury demanding justice. – Dhurandhar Review Ranveer Commands the Screen
One of the film’s most immersive elements is the recreation of Karachi’s Lyari. The detailing, the texture, and the dangerous plausibility of the world Dhar constructs make you want to pause and Google as the plot thickens. While Uri: The Surgical Strike was overt in its nationalism, Dhurandhar is more calculated, more controlled.
Ranveer Singh leads as Hamza Ali Mazhari, but the film’s magnetic force is Akshaye Khanna. As Rehman Baloch—feared as Dakait—Khanna delivers a performance steeped in quiet menace. His expressions, pauses, and emotional implosions carve out some of the film’s most unforgettable moments. It’s easily one of his strongest roles in years.
Sanjay Dutt’s presence lends gravity as Chaudhary Aslam, Arjun Rampal sharpens the narrative as the ISI chief, and Rakesh Bedi brings perfectly timed levity as the cunning Jamaal. Ranveer’s Hamza—fragile like ash yet capable of igniting chaos—anchors the story. Though Singh’s intense close-ups occasionally evoke shades of his Alauddin Khilji, he embodies Hamza with full conviction. – Dhurandhar Review Ranveer Commands the Screen
Dhar’s boldest choice lies in his portrayal of Pakistan. It is layered, especially in its political depiction, yet unwavering in framing the nation as the epicentre of terrorism. The film even touches upon the Pakistan–Balochistan conflict, offering rare mainstream insight into internal rifts and infiltration corridors.
The covert missions are cinematic, often dramatized to assert India’s hyper-vigilance and strategic superiority. The film repeatedly reinforces that a wounded India is far more lethal. Hamza’s line—“Ghayal hoon, isliye ghatak hoon”—captures this ethos perfectly.
One of the most unsettling yet powerful stretches uses real 26/11 footage, showing how live Indian broadcast coverage inadvertently aided the attackers. It’s a disturbing reminder of how tragedy unfolded in real time, visible to both victims and perpetrators.
Ranveer’s chemistry with Sara Arjun brings brief tenderness to an otherwise relentless narrative. Though she appears younger, the age dynamic is woven seamlessly into the script. – Dhurandhar Review Ranveer Commands the Screen
The climax, however, plays it safe—neither exhilarating nor abrupt. It settles comfortably, primarily designed to pave the way for a second part. But the real battle is the film’s runtime. At 3 hours 34 minutes, Dhurandhar strains your patience. With sharper editing, it could have delivered a tighter, more impactful story. Several shots linger unnecessarily, especially those showcasing graphic violence. The brutality is meant to disturb, not desensitize.
The background score is a major triumph—Karvaan reverberates long after, and the inclusion of classics like Hawa Hawa adds unexpected charm. Overall, Dhurandhar is ambitious, gripping, and occasionally exhausting, but rarely dull. Even when certain choices falter, the world Dhar constructs keeps you locked in.
In the end, Dhurandhar stands tall as a dense, muscular political thriller—biting off a great deal and, thanks to Akshaye Khanna’s electrifying performance, managing to devour most of it.
Dhurandhar Review Ranveer Commands the Screen
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Mam yaha to ajj full Sardi ho gyi 🥶🥶🥶
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